Gripping and unexpected, this film blends brutality and tenderness into a two hour-plus musical saga that's impossible to turn away from.
Emilia Pérez tackles Mexican corruption and narco-related violence in a wholly unique package. The goriest of images give way to gentle ballads and lullabies. Mexico's mass graves of tens of thousands of murdered or disappeared citizens contrast with the delicate tale of Emilia's gender dysphoria and transformation (Gascón, stunning in dual roles as the dangerous Manitas and the likeable Emilia).
That a film can evoke sympathy in its viewers for a violent mafioso is a testament to its power of persuasion, an intention underscored in closing scenes involving a saint-like statue.
While Gomez may give the most memorable musical performances, this film's heart belongs to Saldaña, whose steely Rita journeys alongside Emilia, turning from hostage to friend. Saldaña's singing is forgettable, but her ability to convey complex emotions in a single look–and her dance moves–are not.
Many of the set pieces contain striking choreography and haunting tunes, with lyrics sometimes whispered or spoken. French director Audiard's first foray in Spanish, the melodrama could be reminiscent of the work of Spanish auteur Pedro Almodóvar.
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Images courtesy of Netflix.
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